eminist filmmakers are hitting the headlines. The last decade has witnessed: the first Best Director Academy Award won by a woman; female filmmakers reviving, or starting, careers via analogue and digital television; women filmmakers emerging from Saudi Arabia, Palestine, Pakistan, South Korea, Paraguay, Peru, Burkina Faso, Kenya and The Cree Nation; a bold emergent trans cinem...(展开全部)

Animals were vital to the British colonization of Myanmar. In this pathbreaking history of British imperialism in Myanmar from the early nineteenth century to 1942, Jonathan Saha argues that animals were impacted and transformed by colonial subjugation. By examining the writings of Burmese nationalists and the experiences of subaltern groups, he also shows how animals were mobi...(展开全部)

Like many young Americans, Jonathan Safran Foer spent much of his teenage and college years oscillating between enthusiastic carnivore and occasional vegetarian. As he became a husband, and then a father, the moral dimensions of eating became increasingly important to him. Faced with the prospect of being unable to explain why we eat some animals and not others, Foer set out to...(展开全部)

Jonathan Safran Foer spent much of his teenage and college years oscillating between omnivore and vegetarian. But on the brink of fatherhood-facing the prospect of having to make dietary choices on a child's behalf-his casual questioning took on an urgency His quest for answers ultimately required him to visit factory farms in the middle of the night, dissect the emotional ing...(展开全部)

'I used to be human once. So I'm told. I don't remember it myself, but people who knew me when I was small say I walked on two feet just like a human being...' Ever since he can remember, Animal has gone on all fours, the catastrophic result of what happened on That Night when, thanks to an American chemical company, the Apocalypse visited his slum. Now not quite twenty, he lea...(展开全部)

"Representing Animals" explores the complex and often surprising connections between our imagining of animals and our cultural environment. The contributors - historians, literary critics, anthropologists, artists, art historians, and scholars of cultural studies - examine the ways we talk, write, photograph, imagine, and otherwise represent animals. The book includes topics su...(展开全部)

贺循失明后，执意回老家旧宅生活。　　春光明媚，爬藤月季探出别墅大门，贺循深居简出，短短几个月，赶走了三个保姆。　　最后招进来的那个女保姆，工作不负责，爱占小便宜，满嘴谎话，举止轻浮。　　她说自己年龄三十八，小眼歪嘴满脸雀斑，丧夫守寡，孤苦无依，求他不要解雇她。　 贺循心里越觉越蹊跷。　　后来他试图拼凑出这个女人的形象——二十八岁，单亲妈妈，染头发穿舞裙，坑蒙拐骗的小太妹长大了。 # 美丽的梦和美丽的诗一样/都是可遇而不可求的/常常在最没能料到的时刻里出现 我喜欢那样的梦/在梦里 一切都可以重新开始/一切都可以慢慢解释/心里甚至还能感觉到所有被浪费的时光 竟然都能重回时的狂喜和感激 # （席慕蓉）阅读指南：1.女主有娃（孩子不是男主的）2.雷点很多，有任意雷点者慎入3.不定时更新

简介：乖乖女惹上小混混 所以他们直接又能擦出怎样的火花呢？

简介：乖乖女惹上小混混 所以他们直接又能擦出怎样的火花呢？